親愛(ài)的老師59.0

　　《歌舞昇平》裡有幾個(gè)如果是肥皂劇劇情肯定會(huì )被安排連成一線(xiàn)的家庭他們口中的悲慘命運是如此曖昧地有異曲同工之妙令人在觀(guān)看時(shí)會(huì )想那是誰(shuí)的誰(shuí)那人跟那人又有什麼關(guān)係　　其實(shí)唯一的關(guān)聯(lián)是五個(gè)家庭同樣領(lǐng)取「綜援」但每個(gè)故事卻往不同方向發(fā)展他們貧窮的理由或許不一樣處境也不一樣結果卻都發(fā)展成十分相似的生活狀態(tài)殊途同歸的境地幾乎都是對貧窮的習慣和適應影片裡穿插著(zhù)過(guò)年的片段又和典型中國人過(guò)年有難以區分的相同與不同　　The film explores the hidden face of poverty in one of the world's most affluent and capitalistic cities. Directed by CHEUNG King Wai (KJ: Music and Life), the film follows five Hong Kong families of different backgrounds that receive government subsidies.  How do the poor get by in a glossy city that flaunts conspicuous consumption and hides poverty in cavernous public housing estates? All's Right With The World shares the different stories of these low-income families, their daily living conditions, and their ways of celebrating Chinese New Year.　　獲獎情況：　　2008年 入圍第32屆香港國際電影節競賽單元　　2008年 入圍韓國首爾獨立電影電視節　　2008年 入圍第20屆飛帕電影節