一直作為米路斯.科曼劇本鐵三角(另一位是帕培錫也是本片編劇之一)成員的艾雲.巴薩當然也走低度戲劇路線(xiàn)同是音樂(lè )家的彼德與卡洛老友重逢生活狀況大不同你有伴侶我有家庭然而都有說(shuō)不出的不明朗唯有以酒與音樂(lè )代替口水全片推展不問(wèn)目的只在剎那間的意圖行行企企比起科曼更義無(wú)反顧卻有生活淡如流水的詩(shī)意和繆思叫觀(guān)眾聯(lián)想到二十年後的伊力.盧馬巴薩鍾愛(ài)音樂(lè )的程度不下於文字和電影古典音樂(lè )與民間音樂(lè )於全片迴轉迴盪難怪成了奇斯洛夫斯基十大心愛(ài)電影之一 康城影展青年評審團獎美國全國影評人協(xié)會(huì )特別獎 這部1966年的珍品是捷克新浪潮短暫生命中最佳作品之一成名音樂(lè )家到小鎮探訪(fǎng)舊同學(xué)舊同學(xué)是個(gè)窮音樂(lè )教師有時(shí)在喪禮上吹奏樂(lè )曲平凡的素材在巴素手裡變出風(fēng)趣復罕見(jiàn)的旋律一部憂(yōu)鬱的喜劇或灰色喜劇 - Dave Kehr, Chicago Reader Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight. Special Award, National Society of Film Critics Awards Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair. - Elliott Stein, Village Voice Source HKIFF Czech New Wave 2006
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